sound compositions, based on field recordings of engines, combined with live electronics, cello, bass clarinet and video
Four compositions based on field recordings emerge from the examination of the sound characteristics of combustion engines, expanded by snippets of conversations from interviews that reveal an intimate relationship between man and machine. Combined with live electronics, cello, bass clarinet and video, they unite to form a swan song to the urban soundscape of our time.
Concept, composition, cello Ulrike Ruf Bass Clarinet Florian Bergmann Composition, Live Electronics Heidrun Schramm Video, Live Projection Nicolas Wiese
Supported by initiative neue musik and Neustart Kultur/ BKM / GVL.
In cooperation with Field Notes Berlin