#share Interferenz // Público Festival
multiple artists 07. Dezember 2022, 18 Uhr
# 01 Andrea Krohn & Ute Wassermann
# 02 Marcelo Schmittner & Zé de Paiva
08. December 2022, 18 Uhr
# 01 Andrea Krohn & Ute Wassermann
# 02 Marcelo Schmittner & Zé de Paiva
14. December 2022, 18 Uhr
# 03 Burkhard Beins & Naïma Mazic
# 04 Anna Clementi & Peti Costa
15. December 2022, 18 Uhr
# 03 Burkhard Beins & Naïma Mazic
# 04 Anna Clementi & Peti Costa
16. December 2022, 18 Uhr
# 05 Ana Kavalis & Michael Vorfeld
# 06 RILABEN & Erik Drescher
17. December 2022, 18 Uhr
# 05 Ana Kavalis & Michael Vorfeld
# 06 RILABEN & Erik Drescher
#share Interferenz
Dancers and real-time composers meet for the first time in these Blind Dates initiated by Acker Stadt Palast and develop six unique miniatures. Just as waves overlap and penetrate each other in an interference, the artists inscribe themselves into each other in the #share-Interferenz encounters and explore their aesthetic points of friction. The experiment culminates in the live performance of two duos, each of which explores a new the resonance spaces between movement, sound, theater and audience.
// Music
Ute Wassermann is a vocal artist, composer and improviser. She expands her voice, an extreme sound instrument, additionally with bird whistles, resonance and loudspeaker objects, field recordings and multi-channel diffusion. She has received several commissions for compositions, as well as premiered numerous works she has written with well-known ensembles and orchestras. She regularly performs at festivals in Europe, Australia, Mexico, South America and Asia.
Burkhard Beins is a composer/performer working in the fields of experimental music and sound art. He is known for his definitive use of percussion in combination with selected sound objects. Furthermore, he works with live-electronics/analog synthesizers, plays bass guitar, and has conceived several sound installations. Since the late 1980's Beins performs as a soloist and member of various ensembles at internationally renowned venues and festivals throughout Europe, America, Australia, Asia. He has released more than 60 CDs and LPs by now.
Anna Clementi is a performer and vocal acrobat, an "actress of the voice".
Through her ability to combine language(s), song, dance and acting, Clementi is considered a significant interpreter of contemporary compositions. Her repertoire moves between a wide variety of musical genres: Experimental Music, Electronic, Pop, Jazz, Chanson, Cabaret, Free Improvisation, etc. She is a member of the vocal group 'Voxnova Italia' ,of the ensemble 'European Music Project' (EMP) and of the, with Laurie Schwartz, founded duo 'Deviant Divas'
Erik Drescher is a freelance flutist. His focus is on contemporary music. In addition to distinctive solo activities, he has made guest appearances in many renowned ensembles for new music. He has participated in numerous world premieres of different composers and music. In addition to his international concert activities, Erik Drescher was a music curator at the Acker Stadt Palast Berlin, where he has realized various music, dance and music theater programs.
Michael Vorfeld is a musician and visual artist, plays percussion and self-designed string instruments and realizes electro-acoustic sound works. He is active in the fields of experimental music, improvised music and sound art, develops site-specific installations and performances with light and sound, works with photography and film. He is a member of various formations and collaborates with artists from different fields. His diverse activities include extensive concert, performance and exhibition work in Europe, America, Asia and Australia.
Marcelo S. Daza is a multidisciplinary artist born in Chile in 1991, currently living in Berlin. He works as a musician and sound artist in theater/performance collectives, dance companies and as a soloist. He is also active as a lighting designer for theater, performance and contemporary dance. In addition, he works both as a curator and programmer in galleries, theaters, political discussions and workshops, and as an installation artist in various collective projects and as a soloist. As an artistic director, Marcelo has created various platforms for emerging artists, presenting works in festivals, theaters, digital platforms and street interventions. In the last 3 years he has been trained as a boxer. His practice aims to create shared sensory experiences and space for artists who are not considered or eligible in Berlin networks.
// Dance
Ana Kavalis is a Cuban-German freelance performance artist living in Berlin since 2004. Since 2005 she has been collaborating with different dance and theater groups from the independent scene in Berlin and beyond. In 2007, she began producing her own solo dance-theater performances as ISLA project. Since 2019 she has been leading The Resonant Body Training for performers*, actors* and people interested in movement in several Berlin studios. Her work was supported by DISTANZEN Dachverband Tanz Deutschland in 2021.
Andrea Krohn is a Brazilian dancer and dance teacher. Issues of identity, as well as the tension between individual and collective memory are among her artistic and pedagogical projects. Her dance training was influenced by theater and performance, so these two languages are an integral part of her artistic expression. She is currently immersed in research exploring the abstraction of dance through sound, with the goal of developing a method for dance-audio performances
Zé de Paiva lives and works as a video artist, dancer and actor in Berlin. After training as a photographer, he turned to theater, becoming an ensemble member of Teatro Oficina under the direction of José Celso Martinez Corrêa in São Paulo, Brazil in 2003.Between 2009 and 2018, Zé de Paiva was a permanent member of the company Grupo Oito as a dancer and video artist. In this framework, he increasingly brought his video works. He is interested in the video installation as part of the set design, where the audiovisual content creates a horizon of reference for the dance action, opening a dialogue between video and dance that oscillates between the two languages, sometimes allowing them to merge.
Peti Costa is a performer, choreographer, Inspire by Fighting Monkey dance teacher and independent researcher based in Berlin, moving through the fields of contemporary dance, theatre and performance. He was a scholarship bachelor in Communication and Performing Arts (PUC/SP, 2006). He holds an advanced training in Creating Dance in Art and Education (TanzTangente/Universität der Künste Berlin, 2020) and Somatics in Dance, Choreography and Performance (Somatische Akademie Berlin, 2018) and was co-founder of the collective Núcleo de Garagem (SP, 2010). Since 2019 he is a dance teacher at the Jugendkunstschule Mitte, Berlin. He is a guest teacher on the BA course Dance, Context and Choreography (HZT/UDK, Berlin 2021/22). He is currently a resident artist at the international Platform VeiculoSur. In 2021 he received the Dis- Tanz- Solo scholarship of the Dachverband Tanz Deutschland e.V.
Naïma Mazic (Vienna / Berlin) is a choreographer, dancer, researcher and director of the n ï m Company. In her work she focuses on polyrhythmic communication between dancers and musicians, especially through methods of jazz music. Sensuality and femininity are in the foreground. Her background in house dance, bgirling and swing dance influences her approach to movement. She was K3 Tanzplan Hamburg resident choreographer, she holds an MA in Performance Studies from NYU Tisch, studied at P.A.R.T.S., Reykjavik Academy of Arts and dance pedagogy at MUK Vienna.
Rilaben works between performance art, dance and theatre. As teacher of the Alwin Nikolais/Luis dance technique has followed different somatic approaches and studied architecture, theatre/scenography, costume design and drama in Italy and Europe. He works through intuition and structured improvisation in independent projects and sometimes for established institutions and artists. He creates living installations of bodies and materials in relation to theoretical elements, space and music as a critical artist. He is interested in the audience's perception of the event and inclusive practices of sharing.